Immortal renew – Cinematic, Indie, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

Immortal renew – Cinematic, Indie, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
12 September 2026
A large form of a female body where we see mainly the chest and half of the face. The woman is holding a key to a keyhole that is within her chest. The background is fully shades of blue and she is wearing a blue blouse which is fitted
Image credit: Magnific.com
## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

Immortal Renew explores transformation through choice — the willingness to be diluted, digested, divested and remade without losing the essential self within. At its heart lies the “choice liver”: both the body that transforms what it receives and the person who chooses how to live. Immortal Renew finds immortality not in remaining unchanged, but in our capacity to transform, release and begin again.

Dilute me
Particles of Sound
Withering
Blistering
On the souls of the damsels
That travel the streets

Read the full original poem here:
https://geethabalvannanathan.com/2017/02/24/immortal-renew/

## ✍️ ADAPTED LYRICS

[Verse]
Dilute me Particles of Sound
Withering, blistering around
The souls of the damsels retreats
while they travel within the streets

[Verse]
Digress me into Oblivion
Lay me low, Birth hollow union
In the grounds of New Earth that sings
beyond Voices and Angels wings

[Chorus]
Digest me, I am choice liver
I rain blue, message deliver
Within me to new life a clue
Rainbow hue, Immortal renew

[Verse]
Divest me, parting with value
Instil me harmless weight subdued
Shiver sliding throughout my gait
rewrites the Chronicles of fate

[Verse]
Dismiss me Particles to miss
Bring and tell for a mindful bliss
Heaving Heart that knows all will swell
under moonshine rain to foretell

[Verse]
Direct me Play of thirteen acts
Sign me Pacts within Breath contracts
I swallow hard the venom made
In between the tongue and the shade

[Chorus]
Digest me, I am choice liver
I rain blue, message deliver
Within me to new life a clue
Rainbow hue, Immortal renew

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Cinematic Ambient version
Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Immortal renew – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🌿 Ethereal Indie version
Ethereal Indie interpretation with a reflective tone, gentle piano, acoustic guitar and flute for a distinctive sound
Immortal renew – Ethereal Indie Song | My Original Lyrics, My Voice (Suno)
### 🌌 Noir Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
Immortal renew – Noir Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Cinematic, Indie and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

Woman – Cinematic, Indie, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

Woman – Cinematic, Indie, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
9 September 2026
A single woman standing front-facing, with generations of women subtly emerging behind and within her silhouette. Not a crowd of distinct faces, but overlapping traces — young, old, different eras and origins — almost as though she contains them. Her expression should be calm and unwavering rather than angry or sorrowful. There can be signs of damage around her — cracked earth, weathered textures, perhaps torn fabric — while her actual figure remains intact.
restrained palette of deep earth, charcoal, muted gold and touches of red
Image credit: Magnific.com
## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

Woman looks at the many faces of womanhood — strength and vulnerability, endurance and suffering, creation and sacrifice. The song reflects on a history in which women have been diminished, abused and defined by others, yet have continued to carry life, love and an extraordinary capacity to endure. It honours the force that persists beneath them

Beaten, abused in many a name
Always it is you who takes the blame
Looking down on you they invoke your shame
Woman, nothing for you will be the same

Read the full original poem here:
https://geethabalvannanathan.com/2010/01/16/woman/

## ✍️ ADAPTED LYRICS

[Verse]
Beaten, abused in many a name
Always it is you who takes the blame
Looking down on you they invoke your shame
Woman, nothing for you will be the same

[Verse]
Brazilian girl in Favelas you dwell
of many a seed I see you swell
Good thinkers of you do not think so well
Question of morals, your body, you sell

[Verse]
Afghani aunt, hidden by thy hood
Frail, forgotten, so misunderstood
Trying to hide what a pious woman should
they say without it you would not be good

[Chorus]
Pointing fingers, they provoke your shame
attempting to make you take the blame
Enslaved, accused, yet keep alive your flame
Woman let nothing ever be the same

[Verse]
Pakistani cousin on death row
In this earth right now, here and below
for you no hope will ever chance to glow
They say that violence you were first to sow

[Verse]
Indian sister I cry, share your plight
Born, not much to your parents’ delight
A frail baby, hope glimmered, die you might
save them dowry, days like an endless night

[Verse]
GAIA, ancient mother, hear our voice
We toil and care no time to rejoice
A millenary fate, no free thought, no choice
a state befitting a novel by Joyce

[Chorus]
Pointing fingers, they provoke your shame
attempting to make you take the blame
Enslaved, accused, yet keep alive your flame
Woman let nothing ever be the same

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Cinematic Ambient version
Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Woman – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🌿 Ethereal Indie version
Ethereal Indie interpretation with a reflective tone, gentle piano, acoustic guitar and flute for a distinctive sound
Woman – Ethereal Indie Song | My Original Lyrics, My Voice (Suno)
### 🌌 Mystical Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
Woman – Mystical Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Cinematic, Indie and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

Swaying fate – Dark Cinematic, Noir Jazz, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

Swaying fate – Dark Cinematic, Noir Jazz, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
27 August 2026
A woman like a veiled goddess sits on a throne like mound. Her face is veiled at the level of her head and eyes and the bottom part of her face is uncovered. She is wearing one garment which is also the veil. There is a round item behind her like a moon. Another moon crosses it at her back
Image credit: Magnific.com
## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

Swaying Fate moves through memory, loss and inner awakening, tracing the moment when what was once sought in another begins to reveal itself within. Old symbols fade, wounds reopen, and remembered love becomes both mirror and catalyst but beneath it all, the Heart slowly reclaims its sovereignty, reminding us that fate is not always fixed, and that the light we search for beyond ourselves may already be waiting, veiled, within.

Thoughts of you
Vivid remainders
Hues of pink
Deep purple
Like blemish on a new wound
Opening shut books

Read the full original poem here:
https://geethabalvannanathan.com/2016/04/14/swaying-fate/

## ✍️ ADAPTED LYRICS

[Verse]
Thoughts of you, vivid remainders
Hues of pink, deep purple borders
Like a blemish on a new wound
Opening shut books excommuned

[Verse]
The charisma, the Solemn words
Something beyond just the dead herds
grazing in the blue within nooks
Remembrance, more than just good looks

[Verse]
I found you the day we lost us
Din of useless fuss, Swears and cuss
The light-headed memories cut
Edge of my language to rebut

[Verse]
The child’s words, Simplicity’s speech
Narrate best the lost quest to reach
Of the fruit we kept but the zest
Our hands sharpened knives that slow wrest

[Chorus]
Resurrect the fading symbols
called upon by highborn rebels
More than the pupil will dilate
my kingdom on Earth, Swaying fate

[Verse]
The people, they rub hard the lives
into stones, brittle bones hand drives
Ground with more than the intention
of fleecing wayward redemption

[Verse]
We acknowledge that it is hearts
that sole excel in crafts and arts
The blood forms divine, more than heads
Remember, mending takes strong threads

[Verse]
I knelt once, my head upon feet
within shrine that was mine, retreat
Wasted were the black idols hailed
From within came the shine beveiled

[Chorus]
Resurrect the fading symbols
called upon by highborn rebels
More than the pupil will dilate
my kingdom on Earth, Swaying fate

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Dark Cinematic version
Dark Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Swaying fate – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🎷 Noir Jazz version
A Noir Jazz version with haunting female vocals, slow hypnotic mood, emotionally intimate and introspective
Swaying fate – Noir Jazz Song | My Original Lyrics, My Voice (Suno)
### 🌌 Mystical Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
Swaying fate – Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Dark Cinematic, Noir Jazz and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

Mother in Arabic أَمَّاهُ – Nostalgic and Cinematic Versions | Songs created with Suno (my lyrics, my voice)

Mother in Arabic أَمَّاهُ – Nostalgic and Cinematic Versions | Songs created with Suno (my lyrics, my voice)
16 August 2026
a woman representative of all the suffering women on the Earth. She has tired eyes and a sad face. Her arms are outstretched as if to embrace someone
Image credit: Magnific.com

## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

Written in 2010, Mother is a tribute to women whose love, courage and sacrifice endure despite illness, violence and war. Dedicated to the countless women whose strength too often remains unseen.

Loose translation of my lyrics into English:
My beloved aunt, light of Afghanistan,
You gave him life and raised him to be a man,
Yet this is how time has treated you—
leaving you no place to call your own.

You endured such pain and battled cancer,
Your courage standing as a testament;
He showed no regard neither for your loyalty nor the faith you held,
and stripped all peace and comfort from your life.

My noble sister, silenced and trapped in Pakistan,
He took you when your beauty was radiant;
He struck you down and stole your sense of safety,
leaving you now confined within a prison.

Mother, he took the years and vitality of your life,
repaying your tenderness with hatred;
He never once acknowledged the debt he owed you—
To you, I present my greetings; to you, I present my offering.

Read the full original poem here:
https://geethabalvannanathan.com/2010/01/16/%d8%a3%d9%85%d9%8e%d8%a7%d9%87/

## ✍️ ADAPTED LYRICS

[Melismatic vocal ornamentation]
[Verse]

حَبِيبَتِي يَا خَالَهْ يَا نُورَ الْأَفْغَانْ
أَنْجَبْتِهِ وَ جَعَلْتِ مِنْهُ إِنْسَانْ
وَ هَكَذَا فَعَلَ بِكِ الزَّمَانْ
وَ بِالْفِعْلِ مَا تَرَكَ لَكِ مَكَانْ

[Melismatic vocal ornamentation]
[Verse]

تَحَمَّلْتِ الْأَوْجَاعْ كَافَحْتِ السَّرَطَانْ
وَ كَمْ كَانَ لِشَجَاعَتُكِ مِنْ بُرْهَانْ
وَ مَا إِعْتَبَرَ الْوَفَاءْ مَا لَكِ مِنْ إِيمَانْ
وَ نَزَعَ مِنْ حَيَاتِكِ أَيَّ إِطْمِئْنَانْ

[Melismatic vocal ornamentation]
[Verse]

أُخْتِي الْكَرِيمَهْ الْمَكْبُوتَهْ فِي الْبَاكِسْتَانْ
أَخَذَكِ وَ كَانَ جَمَالُكِ فَتَّانْ
ضَرَبَكِ وَ نَزَعَ الْإِحْسَاسْ بِالْأمَانْ
وَ هَا أَنْتِ الْآنَ فِي سِجْنٍ مِنَ الْأَسْجَانْ

[Melismatic vocal ornamentation]
[Verse]

أُمَّاهُ أَخَذَ مِنْكِ الْعُمْرَ وَالْأَسْنَانْ
بَادَلَكِ حِقْدًا مَا أَعْطَيْتِهِ مِنْ حَنَانْ
وَ مَا أَحَسَّ يَوْمًا بِأَنَّهُ مِدْيَانْ
لَكِ مِنِّي تَحِيَّهْ لَكِ مِنِّي قُرْبَانْ

[Melismatic vocal ornamentation]

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Cinematic version
Dark Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Mother أَمَّاهُ – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🍂 Nostalgic version
Nostalgic female vocals, oud, Arabic ney, slow emotional build-up and immersive atmospheric soundscapes
Mother أَمَّاهُ – Nostalgic Song | My Original Lyrics, My Voice (Suno)

## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Nostalgic and Cinematic influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

In floating – AI Song (Cinematic, Dark Folk, Indie Versions) | Suno AI (my lyrics, my voice)

In floating – AI Song (Cinematic, Dark Folk, Indie Versions) | Suno AI (my lyrics, my voice)
13 May 2026
woman floating in the air facing a golden tree that is assumed to be the Tree of Life which is feeding on blood flowing from her body
Image credit: Freepik.com

## 🧠 ABOUT THE PROCESS

I transformed this original poem by adapting it into lyrics that were then used for an AI-generated song using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the AI-generated musical version.

## 📜 ORIGINAL POEM

This poem reflects upon the inner dissolution the mind may need to undergo in order to attain deeper knowledge of the true self through the disintegration of the false self. It presents the self as part of a greater spiritual hierarchy symbolised by the “Tree of Life,” to which the constructed ego is gradually sacrificed. Through confrontation with inner demons, surrender to the soul’s teachings and attention to the wisdom carried within the heart, the poem explores transformation as a painful but necessary process of alignment, renewal and awakening.

Lost in thought
Grey tendrils that sink
Absorbed ink
I spill mind
Windmills within me unwind
As the will decays

Read the full original poem here:
https://geethabalvannanathan.com/2016/08/24/in-floating/

## ✍️ ADAPTED LYRICS

[Verse]
Lost in thought, grey tendrils that sink
my brain’s matter slow absorbed ink
As the will decays, I spill mind
The windmills within me unwind

[Verse]
Tree’s branches reach out towards me
Nourishing its roots I can’t flee
Its bark stark pulses with my blood
My beating heart is liquid flood

[Verse]
Food for thought, self-preservation
Sweat and toils increase pulsations
The tree feasts upon the spoils
winding flow does, undoes coils

[Chorus]
Like nothing matters, the heart beats
Renewal of mind, Soul repeats
Shimmering of the blood coursing
new life pervades me in floating

[Verse]
The soul shoots at me, withered tame
self-loss arrows across my frame
The lions face my dark dungeons
where breathed hard the hidden dragons

[Verse]
Selves aligned face the roaring beasts
Wilful surrender, random feats
unknown mission of lone heroes
standing misaligned in death rows

[Chorus]
Like nothing matters, the heart beats
Renewal of mind, Soul repeats
Shimmering of the blood coursing
new life pervades me in floating

## 🎧 AI SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Cinematic version
A cinematic interpretation emphasising atmosphere and emotional intensity.
In floating – AI Cinematic Song | My Original Lyrics, My Voice (Suno AI)
### 🌾 Folk version
A folk interpretation of the song, focusing on acoustic textures and a more intimate, stripped-down sound that highlights the lyrical and emotional core with a touch of dark.
In floating – AI Folk Song | My Original Lyrics, My Voice (Suno AI)
### 🌿 Indie version
An indie interpretation with a softer, reflective tone, incorporating plaintive cello and violin sounds for a distinctive darker indie sound.
In floating – AI Indie Song | My Original Lyrics, My Voice (Suno AI)

## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno AI, exploring how the same lyrics evolve through Cinematic, Dark Folk and Indie influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Tango to Centre
https://geethabalvannanathan.com/2026/05/11/tango-to-centre-ai-song-blues-cinematic-indie-versions-suno-ai-my-lyrics-my-voice/

Dissolution time – AI Song (Blues, Gospel, Indie, Versions) | Suno AI

Dissolution time – AI Song (Blues, Gospel, Indie, Versions) | Suno AI
14 April 2026
woman casting spell and dissolving into the ether
Image credit: Freepik.com
## 🧠 ABOUT THE PROCESS

I transformed this original poem by adapting it into lyrics that were then used for an AI-generated song using Suno, featuring my voice.
Below you’ll find part of the original poem, the revised lyrics, and the AI-generated musical version.

## 📜 ORIGINAL POEM

This poem explores themes of witchcraft, spellwork and acquisition of second sight leading to understanding of alternate realities.

Mind racking
Shelves of solutions
Magic books
Sever hooks
Tales twisted by clever crooks
Opportunities

Read the full original poem here:
Dissolution Time - Geetha Balvannanathan's Blog - Isis Tratum
## ✍️ ADAPTED LYRICS

[Verse]
Mind racks shelves of solutions
Magic books contributions
Tales twisted by clever crooks
Opportunities breed hooks

[Verse]
Spell woman code in heart’s light
Spirit spells nothing to fight
Only the heart shines bright through
The key to skies in the clue

[Chorus]
All the magic in the rhyme
where the quakes meet pantomime
shudders replicating chime
minds set dissolution time

[Verse]
Eye sees spark within sorrows
The heart sees only morrows
Crossing over skulls and bones
into new alleys of stones

[Verse]
Shake hard dreamtime creation
I breed minstrels’ elation
Wilting bard now composes
more than the feat of Moses

[Chorus]
All the magic in the rhyme
where the quakes meet pantomime
shudders replicating chime
minds set dissolution time

[Verse]
Set in skies, we have our ways
Chimera Bellerophon slays
splitting they shatter the lies
breaking all the earthly ties

[Verse]
Brittle ends beginning death
slow promise of pining breath
Frantic measures peak at noon
future world granted as boon

[Chorus]
All the magic in the rhyme
where the quakes meet pantomime
shudders replicating chime
minds set dissolution time



## 🎧 AI SONG

Listen to how this poem transforms into music across different styles:

### 🎸 Blues version
A blues interpretation emphasising raw emotion and expressive character.
Dissolution time – AI Blues Song | My Original Lyrics, My Voice (Suno AI)
### 🙏 Gospel version
A gospel-inspired version focusing on expressive phrasing and spiritual depth.
Dissolution time – AI Gospel Song | My Original Lyrics, My Voice (Suno AI)
### 🌿 Indie version
An indie interpretation with a softer, reflective tone, incorporating Asian instruments for a distinctive sound.
Dissolution time – AI Indie Song | My Original Lyrics, My Voice (Suno AI)
## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno AI, exploring how the same lyrics evolve through Blues, Gospel and Indie influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like:
May you end all sanity – AI Song (Blues, Cinematic, Gospel, Indie, Versions) | Suno AI - Geetha Balvannanathan's Blog - Isis Tratum

Pencil drawings of women on blue and orange paper

Pencil drawings of women on blue and orange paper
25 October 2025


After lunch and while waiting for electricity to be set up in the reiki and pranic building I had installed in the garden, I decided to draw a couple of female faces to add to those I had already drawn beforehand. I had a portrait of a woman on blue paper and one on orange paper so decided to add one of each today. I plan on having these framed and hung just above the bed in the main bedroom. For the bedroom where my stepdaughter stays on weekends, I am waiting to have her put her own artwork so did not do anything else than furnishing it.

In the corridor I had some of the papyrus paintings I bought in Egypt last year put up and the third bedroom upstairs would house the paintings and other artwork of my daughter Léa. The fourth bedroom downstairs would have either some more of the papyrus paintings or some other artist’s work. In the living/dining room, I had already hung works of Shakeel he painted in 2013 and the paintings are quite big so six of them have covered the whole room which is around 7 m x 4 m

It had been a while since I had drawn with pencils so the drawings are not my best but I think they will do for the place I have destined them to go onto. Even though my hand was not up to the mark, I enjoyed drawing these sketches and look forward to using some of the acrylic painting I just bought from Amazon to paint as it has been years since I painted in acrylic. There is a big mirror above the desk in the main bedroom, and I plan on painting some boat scenes in pastel blues to go with the headboard of the bed which is dark blue. I hope I soon find time to start these paintings as it has been difficult to find time with my busy schedule between work, daily chores, healing of others and just me-time to relax and resource.

I leave you with some music that I was listening to before and after drawing these female portraits.
Shadow dance blues

Fallen

Fallen
11 May 2025
Courtesy freepik.com


For the longest time ever, I have felt I have no kinship with Earth and it felt like a foreign land. Even in my childhood, I would look up at the stars and know in my heart that my true home was out there and I was the proverbial “million miles from home”. As a young child I did not have many friends and tended to always sit on my own when there were breaks at the school I was going to. It was called the Good Shepherd Convent and was, as you could guess, a school for female students only. My parents were of opposing religions and from countries that did not see eye to eye with each other. He was a Tamilian black Indian Hindu and she was a white Tunisian Muslim. They couldn’t have been further apart and their life together was a story in itself but I might talk about that later.

As a teenager, I still had that yearning feeling to go back home but I was able to mask it better and was sociable enough to make friends although I could count them on one hand. The friends I made, I was very loyal to and shared a deep connection with. Later on, as a young woman in a University in Nabeul this was still the case. At University, I tended to embrace what others called lost causes and one of them consisted of a direct clash with a special group of Muslim brotherhood called “Ekhwan Al Jihad” or the brothers of the Jihad (holy war). These people, whose shortened name was “Khwanjia” for all of us Tunisians resisting their backward rules and oppression, had gained a disproportionate level of power and Bourguiba, the President at that time, did not seem able to easily get rid of the hold they had – something that Ben Ali had been able to do after he orchestrated a coup against Bourguiba several years later.

Meanwhile, one of the higher level recruits of this brotherhood who lived on the same campus, had gotten besotted with me and decided I was to become his wife. He was very surprised at my resistance and later on, he joined those who would stop us from going to the University in our western attire and threw the large and heavy lid of a dustbin at me in one of his hate-fuelled acts against me. We were all wearing just jeans and normal sweatshirts or shirts that were buttoned to the top but they could not bear the sight of us, refusing to cover our heads and wear long dresses or skirts instead of what they perceived as “figure-hugging, male-enticing jeans from hell”.

There were other happenings where this madman tried to hurt me but I evaded most of the time his hateful attacks. I then changed University to go to ENSI in Tunis, a University for IT engineers but decided to leave after two years because the level of power and hate-fuelled acts of the Khwanjia had gotten too much to bear. With my very Hindu name of Geetha which related to the Bhagavat Gita, one of the holiest books in Hinduism, I stood a lot to lose if the Khwanjia were to seek me out and do God knows what to me. My path had always been one of peaceful resistance but that did not stop them from beating us, attempting to tear our hair out of our heads or throwing stones and other large objects at us.

I finally left for Geneva rather than Paris because I felt I could not handle Paris after being in such a small place as Tunis. Geneva was a lovely quiet town which I enjoyed living in a lot even though the immigration rules were quite tough in order to get there. Throughout the time in Tunis as a young woman, it had always been about resistance and avoiding getting into trouble with the Khwanjia so I had not thought much about my ultimate goals but as the quiet of Geneva seeped into me, my previous levels of extraneity took over and I started to feel homesick again, wanting to be out there in the stars.

Life took over while I still stayed firmly entrenched in my dreams of going to sleep and waking up in a planet I could call home again. I went through two marriages and had children from my second marriage whom I loved more than myself to the point of concentrating all my energy on them and almost feeling at home on Earth. Things had gone awry with my first husband because the values we lived by were at odds and he had issues he had never disclosed to me before our marriage. Things went awry with my second marriage as well leaving me in a situation where I was taking care of my children almost single-handedly and our expenses as well as the tax situation were making our financial situation stretched and our relationship as tense as it could ever be.

A break came in the form of a posting I was given in Dubai in 2007, where I was told there were no taxes on income and it seemed like a good idea to go there and at least ease the financial burden on us. Initially, my ex-husband was supposed to come and see if this could change things and he did come to visit in September 2007 but he did not want to lose his position as a Partner in the law firm he was working at so he decided not to join us, after which I decided to file for divorce in the fall of 2008.

In Dubai, I gained more financial freedom initially and was able to start reading again, not having to clean up everything and have to always cook like I was doing during my time with my second husband. I had a cook and a maid taking care of everything that needed to be taken care of. It was lovely to be able to keep my mind occupied with more than just my work and the children’s needs and I started even envisaging to write again. Suddenly things got out of hand in 2010 and I then created a blog to report most of what was happening, share literary produce such as poems and short stories I wrote or share my artwork. What happened from that fated date of August 12, 2010 (note that my birthday is August 12) is mostly laid out in my blog so I will not reiterate what I already wrote. This break in my life, though deeply disturbing and painful, brought out the spiritual side of me again and all that I had been thinking about during my teenage years and as a young woman began to take shape again.

After 2010 I became involved in several charitable endeavours and worked towards trying to make the Earth a better place, one person at a time, changing the sides of myself I felt did not sit well with the person I wanted to be. So many things happened, the culmination of which pushed me to the path of healing which I embraced wholeheartedly starting first with the study of Pranic healing after having experienced healing people with just the healing touch – later on, I became a Reiki Master and worked with Bach flowers remedies. The more I healed people, the more I felt myself being drawn into what I perceived as myself roaming the Earth in sleep, healing others in my dreams. At one point in Dubai, while I was doing a distance healing I felt inclined to create an energy pattern that was all around me. This became a daily work and I was given to know that I was building a Merkabah using Indian mudras.

Several months later, the Merkabah was apparently ready and I experienced in my dreams what I later understood were astral travels. I did not remember much of those travels which I relegated to the dream world so as to keep my drive to work and take care of my children during the daytime. As the years passed by, I started having the conviction that I had to build more points of energy in the Merkabah so that it could work for much longer distances. This was achieved in January 2017 and I experienced a great deal of light entering my body after which my astral travels became clearer. After a few days, around end January, however, I realised that the Merkabah had been ruined and I could not get back to weaving it.

The points of energetic alignment using mudras were no longer leading anywhere as if my mind could not make them properly anymore. My Merkabah had truly been broken beyond repair and I could do nothing about it as my correct weaving of mudras had been damaged. The years 2017 to 2019 dragged on until the passing of my mother in summer of 2019. Somehow, her demise triggered something that made my pattern of mudras able to align correctly to create the Merkabah again. I am still weaving slowly but surely and I know the Merkabah should be fully ready at least by 2026, perhaps for my birthday in that year to be a day of fulfilled hope again. I had fallen but I may just be able to go home and bask in blue again.

Delerium - Fallen (Превод)

Pencil drawing of my mother

Pencil drawing of my mother
29 April 2025
Drawing of my mother by me


I decided to draw a picture of my mother after some grief work I had been doing in relation with the fact that I had not been much present at her side when she was alive. I had done some grief work earlier, closer to when she had passed, but that was in relation to my sorrow of losing her. What had not been achieved earlier, as I had not yet come to terms with it, was overcoming the grief that when she had been ill, I had not been present as I was busy raising my three children alone and had to overcome several hurdles, both financial and time-based. That special grief that had its roots in guilt, was much more complicated to overcome.

When I was doing this latest grief work, I had a very sharp sense of my mother talking to me, using my pet name, and felt her presence very vividly to the extent that I could feel her around me. It was just like how she would hug us when we were children or teenagers and I could feel her tangible presence around me like during those times. I remember now with nostalgia those moments and am irked by the fact that I would just tell her to stop squeezing me and would wriggle out of her tight hug then. As a teenager, I did, however, adore my mother and would always run to the shops to purchase what she asked me to and do all kinds of other errands for her.

My mother was my hero and throughout my life, even when I was not by her side, it was always her example that would lead me to make important decisions in my life. I never stopped working whether pregnant or taking care of my children while juggling a part-time then full-time job together with my higher studies. She always told us to never give up our jobs, to never give our partners control over our stipend and to always privilege the children over the partner because it was the children who needed protection.

She was a nurse and a wonderful one at that. Whenever I went to the hospital where she worked, countless patients would tell me what a great nurse she was. At some point she was taking care of burn victims and I wondered how she could stomach day after day all the difficult images she had to see and the wounds she had to tend to. She was a beautiful person both outside and inside. I hope this portrait gives just an inkling of how beautiful she was.

And as always, mixing the visual, sometimes the spoken but always an audio of the moment, I give you a song which I was listening to when I got the inspiration to draw the portrait.
Les roses blanches // Berthe Sylva

Pencil drawing of a woman

Pencil drawing of a woman
17 March 2025
Pencil drawing by me


I had joined a facebook group for beginners in pencil drawings and chanced upon a photograph yesterday that I found intriguing. It was shared by a member of the group who had attempted to replicate it in a drawing and was successful to an extent. I realized that it was a difficult image as it lacked symmetry, and many features had a downward trend increasing the complexity of the drawing to be made.

I decided to draw it myself today to see whether I could replicate, to a point, the photograph. I started off with a coloured paper and regretted it as there were highlights that would have normally been done with a white pencil but this was not possible with the coloured paper. I still thought it would make sense to use the white pencil for the highlights and the effect is a strange mixture of realism and cartoon-like impressions where the white pencil markings were made. I hope you like it all the same. I will also post this on the facebook group.

And as always, mixing the visual, sometimes the spoken but always an audio of the moment, I give you a song which I was listening to while drawing.

The below is the photograph used as reference for the drawing

Amber Mark - Love Is Stronger Than Pride