Joining Sky and Earth – Dark Cinematic, Ethereal Gospel, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

Joining Sky and Earth – Dark Cinematic, Ethereal Gospel, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
6 September 2026
Female forearm with hand pointing toward the sky with small blue birds tracing their way out from the skin of the arm and flying into the sky
Image credit: pinterest.com
## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

Joining Sky and Earth explores the human being as a meeting place between the earthly and the divine. Through choice, kindness, forgiveness and letting go, the heart opens and the Divine Mother becomes a current of healing energy flowing through the body and into the world. This is not an escape from Earth towards Heaven, but an attempt to unite them: to remain rooted in human experience while allowing something higher to move through us.

The choices
They create craters
Caving loss
Felt in soul
Never again to be whole
Beliefs from the fear

Read the full original poem here:
https://geethabalvannanathan.com/2016/04/02/joining-sky-and-earth/

## ✍️ ADAPTED LYRICS

[Verse]
The choices, they create craters
spinning dark Beliefs from the fears
The Caving loss felt in the soul
that never again we’d be whole

[Verse]
I hold dear Remnants of the skies
Within me they free me from lies
Through the air my heart they dilate
Setting my soul free, they pulsate

[Verse]
The choices, they are more than faith
Our hands kindness tools against scathe
Measured steps within the blood flow
We will reap only what we sow

[Chorus]
Heaven’s voice, Mother speaks through me
Deep healing within Energy
flowing fast through my blue veins shed
Joining Sky and Earth as I spread

[Verse]
Earthen rules, they speak of bounty
rule of abundance made heavy
The hindrance more than what was told
within dark whispers Weight of gold

[Verse]
Glowing choice, Forgiveness in heart
Love music, Symphony impart
In letting go of the tight reigns
A sky-bound rebirth from remains

[Chorus]
Heaven’s voice, Mother speaks through me
Deep healing within Energy
flowing fast through my blue veins shed
Joining Sky and Earth as I spread

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Dark Cinematic version
Dark Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Joining Sky and Earth – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🙏 Ethereal Gospel version
Ethereal Gospel, contemplative spiritual vocals, gentle piano, warm organ, ambient strings, deeply reflective, inspiring and uplifting.
Joining Sky and Earth – Ethereal Gospel Song | My Original Lyrics, My Voice (Suno)
### 🌌 Mystical Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
Joining Sky and Earth – Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Dark Cinematic, Ethereal Gospel and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

Ode to Nevermore – Dark Cinematic, Ethereal Electronic, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

Ode to Nevermore – Dark Cinematic, Ethereal Electronic, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
30 August 2026
A purple and pink woman who has webbed hands and toes. She seems to be emerging from the waters in between two large rock formations. Her hair is also purple and flying back with parts of it looking like they are large gills
Image credit archive-wizard.com
## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

Ode to Nevermore is a refrain of transformation born from a series of dreams of a dying Earth and humanity’s migration towards Mars. As waters slowly engulf the land, our bodies mutate to survive, cells alter and eventually even these new forms must be abandoned as we take flight towards another world. At the heart of the dreams lies a stranger memory beyond time — the birthing, thousands of years before, of the suns that would one day shine upon Mars.

Nevermore
Will the sun rise East
The throbbing
Horizons
Witness two bright rising suns
My children from North

Read the full original poem here:
https://geethabalvannanathan.com/2016/03/22/ode-to-nevermore/

## ✍️ ADAPTED LYRICS

[Verse]
Nevermore will the sun rise East
The throbbing Horizons policed
witness two rising suns come forth
My bright-eyed children from the North

[Verse]
Nevermore will the foot touch lands
Sunken grounds, they distil demands
Decantation process designed
within the waters flows to mind

[Verse]
Nevermore will the breath be air
We grow gills like once lungs in pair
Breathing a new exercise honed
Of birthing anew slowly cloned

[Chorus]
Nevermore will our eyes focus
on tired strain of muscles' locus
Our bodies disappearing fast
Ode to nevermore to outlast

[Verse]
Nevermore will we crawl on Earth
We will fly swirling like star birth
We will pay blood more than the cost
of feathers renewed, the gills lost

[Verse]
Nevermore will we live alone
Our blood type an array unknown
The cells in our frames slow starving
The star-bound journeys, Time’s carving

[Chorus]
Nevermore will our eyes focus
on tired strain of muscles' locus
Our bodies disappearing fast
Ode to nevermore to outlast

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Dark Cinematic version
Dark Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Ode to Nevermore – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🙏 Ethereal Electronic version
Ethereal Electronic, spacious atmospheric synths, deep warm electronic pulses, subtle evolving rhythm, haunting expressive female vocal, mysterious cosmic ambience, fluid transitions
Ode to Nevermore – Ethereal Electronic Song | My Original Lyrics, My Voice (Suno)
### 🌌 Mystical Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
Ode to Nevermore – Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Dark Cinematic, Noir Jazz and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

Swaying fate – Dark Cinematic, Noir Jazz, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

Swaying fate – Dark Cinematic, Noir Jazz, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
27 August 2026
A woman like a veiled goddess sits on a throne like mound. Her face is veiled at the level of her head and eyes and the bottom part of her face is uncovered. She is wearing one garment which is also the veil. There is a round item behind her like a moon. Another moon crosses it at her back
Image credit: Magnific.com
## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

Swaying Fate moves through memory, loss and inner awakening, tracing the moment when what was once sought in another begins to reveal itself within. Old symbols fade, wounds reopen, and remembered love becomes both mirror and catalyst but beneath it all, the Heart slowly reclaims its sovereignty, reminding us that fate is not always fixed, and that the light we search for beyond ourselves may already be waiting, veiled, within.

Thoughts of you
Vivid remainders
Hues of pink
Deep purple
Like blemish on a new wound
Opening shut books

Read the full original poem here:
https://geethabalvannanathan.com/2016/04/14/swaying-fate/

## ✍️ ADAPTED LYRICS

[Verse]
Thoughts of you, vivid remainders
Hues of pink, deep purple borders
Like a blemish on a new wound
Opening shut books excommuned

[Verse]
The charisma, the Solemn words
Something beyond just the dead herds
grazing in the blue within nooks
Remembrance, more than just good looks

[Verse]
I found you the day we lost us
Din of useless fuss, Swears and cuss
The light-headed memories cut
Edge of my language to rebut

[Verse]
The child’s words, Simplicity’s speech
Narrate best the lost quest to reach
Of the fruit we kept but the zest
Our hands sharpened knives that slow wrest

[Chorus]
Resurrect the fading symbols
called upon by highborn rebels
More than the pupil will dilate
my kingdom on Earth, Swaying fate

[Verse]
The people, they rub hard the lives
into stones, brittle bones hand drives
Ground with more than the intention
of fleecing wayward redemption

[Verse]
We acknowledge that it is hearts
that sole excel in crafts and arts
The blood forms divine, more than heads
Remember, mending takes strong threads

[Verse]
I knelt once, my head upon feet
within shrine that was mine, retreat
Wasted were the black idols hailed
From within came the shine beveiled

[Chorus]
Resurrect the fading symbols
called upon by highborn rebels
More than the pupil will dilate
my kingdom on Earth, Swaying fate

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Dark Cinematic version
Dark Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Swaying fate – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🎷 Noir Jazz version
A Noir Jazz version with haunting female vocals, slow hypnotic mood, emotionally intimate and introspective
Swaying fate – Noir Jazz Song | My Original Lyrics, My Voice (Suno)
### 🌌 Mystical Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
Swaying fate – Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Dark Cinematic, Noir Jazz and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

Mother in Arabic أَمَّاهُ – Nostalgic and Cinematic Versions | Songs created with Suno (my lyrics, my voice)

Mother in Arabic أَمَّاهُ – Nostalgic and Cinematic Versions | Songs created with Suno (my lyrics, my voice)
16 August 2026
a woman representative of all the suffering women on the Earth. She has tired eyes and a sad face. Her arms are outstretched as if to embrace someone
Image credit: Magnific.com

## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

Written in 2010, Mother is a tribute to women whose love, courage and sacrifice endure despite illness, violence and war. Dedicated to the countless women whose strength too often remains unseen.

Loose translation of my lyrics into English:
My beloved aunt, light of Afghanistan,
You gave him life and raised him to be a man,
Yet this is how time has treated you—
leaving you no place to call your own.

You endured such pain and battled cancer,
Your courage standing as a testament;
He showed no regard neither for your loyalty nor the faith you held,
and stripped all peace and comfort from your life.

My noble sister, silenced and trapped in Pakistan,
He took you when your beauty was radiant;
He struck you down and stole your sense of safety,
leaving you now confined within a prison.

Mother, he took the years and vitality of your life,
repaying your tenderness with hatred;
He never once acknowledged the debt he owed you—
To you, I present my greetings; to you, I present my offering.

Read the full original poem here:
https://geethabalvannanathan.com/2010/01/16/%d8%a3%d9%85%d9%8e%d8%a7%d9%87/

## ✍️ ADAPTED LYRICS

[Melismatic vocal ornamentation]
[Verse]

حَبِيبَتِي يَا خَالَهْ يَا نُورَ الْأَفْغَانْ
أَنْجَبْتِهِ وَ جَعَلْتِ مِنْهُ إِنْسَانْ
وَ هَكَذَا فَعَلَ بِكِ الزَّمَانْ
وَ بِالْفِعْلِ مَا تَرَكَ لَكِ مَكَانْ

[Melismatic vocal ornamentation]
[Verse]

تَحَمَّلْتِ الْأَوْجَاعْ كَافَحْتِ السَّرَطَانْ
وَ كَمْ كَانَ لِشَجَاعَتُكِ مِنْ بُرْهَانْ
وَ مَا إِعْتَبَرَ الْوَفَاءْ مَا لَكِ مِنْ إِيمَانْ
وَ نَزَعَ مِنْ حَيَاتِكِ أَيَّ إِطْمِئْنَانْ

[Melismatic vocal ornamentation]
[Verse]

أُخْتِي الْكَرِيمَهْ الْمَكْبُوتَهْ فِي الْبَاكِسْتَانْ
أَخَذَكِ وَ كَانَ جَمَالُكِ فَتَّانْ
ضَرَبَكِ وَ نَزَعَ الْإِحْسَاسْ بِالْأمَانْ
وَ هَا أَنْتِ الْآنَ فِي سِجْنٍ مِنَ الْأَسْجَانْ

[Melismatic vocal ornamentation]
[Verse]

أُمَّاهُ أَخَذَ مِنْكِ الْعُمْرَ وَالْأَسْنَانْ
بَادَلَكِ حِقْدًا مَا أَعْطَيْتِهِ مِنْ حَنَانْ
وَ مَا أَحَسَّ يَوْمًا بِأَنَّهُ مِدْيَانْ
لَكِ مِنِّي تَحِيَّهْ لَكِ مِنِّي قُرْبَانْ

[Melismatic vocal ornamentation]

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Cinematic version
Dark Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
Mother أَمَّاهُ – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🍂 Nostalgic version
Nostalgic female vocals, oud, Arabic ney, slow emotional build-up and immersive atmospheric soundscapes
Mother أَمَّاهُ – Nostalgic Song | My Original Lyrics, My Voice (Suno)

## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Nostalgic and Cinematic influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

No Trade where no Fear – Noir Blues, Gospel, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

No Trade where no Fear – Noir Blues, Gospel, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
27 July 2026
A beautiful white dove flying with a ray of light lifting it slowly upward to showcase freedom and an absence of fear or obstacles to the flight
Image credit: pinterest.com

## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

No Trade where No Fear reflects on the illusions that sustain both inner and outer forms of bondage. Through images of inverted worlds, hidden light and the quiet awakening of the heart, the poem reveals fear as the unseen currency behind every false bargain. It reminds us that when fear dissolves, so too does the need to surrender our freedom, allowing the deeper unity and strength within us to shine.

Silent stream
World of inversion
Relentless
Whirling fast
Desperation to the last
Of fading monsters

Read the full original poem here:
https://geethabalvannanathan.com/2016/05/07/no-trade-where-no-fear/

## ✍️ ADAPTED LYRICS

[Verse]
Silent stream, World of inversion
Of fading monsters, illusion
Relentlessly whirling so fast
Desperation spent to the last

[Verse]
Strident scream, World of perversion
Black to white, the weak smite, sanction
The kings walk slow in tatters dragged
while the knaves bear crowns, jewelled hags

[Verse]
Inside out, the miracles wane
New desire haunts fading pain
Unending cycle matters most
to the caves of my mind in host

[Verse]
Light splatters cavities of eyes
I see them the dark hordes and flies
Silhouettes cut against the gleam
of translucent, waning moonbeam

[Chorus]
Fine crystal expands shimmering
signing the end of slavery’s ring
We are one, our beauty so clear
Message spells: No Trade where No Fear

[Verse]
They depict with our quaking fears
Shades of grey paid in arrears
Down once again into the fray
Battle creation: loss, decay

[Verse]
Upside down, Kafka they remind
Those patterns Bleak lanterns designed
Rising of the dead who drowns all
though the hand extends strong yet small

[Verse]
Rise of tides that old lines repeat
Endless are the ways of defeat
when hearts speak sorrow, not amends
We will see the victorious ends

[Verse]
Sentences remain suspended
on the trail of lives now ended
when agony won battle coarse
White pages, they speak to me scores

[Chorus]
Fine crystal expands shimmering
signing the end of slavery’s ring
We are one, our beauty so clear
Message spells: No Trade where No Fear

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎸 Noir Blues version
Noir Blues, smoky late-night atmosphere, slow tempo, brushed drums, sparse electric guitar, weary female vocals, melancholic blues
No Trade where No Fear – Noir Blues Song | My Original Lyrics, My Voice (Suno)
### 🙏 Gospel version
Ethereal Gospel, contemplative spiritual vocals, gentle piano, warm organ, ambient strings, deeply reflective, inspiring and uplifting.
No Trade where No Fear – Gospel Song | My Original Lyrics, My Voice (Suno)
### 🌌 Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
No Trade where No Fear – Trip-Hop Song | My Original Lyrics, My Voice (Suno)

## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Noir Blues, Gospel and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Stardust
https://geethabalvannanathan.com/2026/07/01/stardust-ethereal-chillout-cinematic-dream-pop-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

In split particles – Cinematic, Gospel, Trip Hop Versions | Song created with Suno (my lyrics, my voice)

In split particles – Cinematic, Gospel, Trip Hop Versions | Song created with Suno (my lyrics, my voice)
17 July 2026
Christ consciousness figure standing on the sea reaching towards someone inside the waters in an attempt to finish a baptism or bring forward the person underneath to attain awakening
Image credit: pinterest.com

## 🧠 ABOUT THE PROCESS

I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.

## 📜 ORIGINAL POEM

In split particles explores the quiet recognition that accompanies the awakening of consciousness. Through water, synchronicity and the meeting of a hidden twin light, the poem reflects on the subtle moments when ordinary perception gives way to deeper understanding. It reminds us that true awakening is not found in clinging to spiritual milestones, but in allowing awareness to expand until the scattered fragments of the self recognise their place within a greater, timeless whole.

Slow and sure
I see it unfold
Morrow’s mirth
Future birth
Small signs of recognition
Synchronicity

Read the full original poem here:
https://geethabalvannanathan.com/2016/04/23/in-split-particles/

## ✍️ ADAPTED LYRICS

[Verse]
Slow and sure I see it unfold
Small signs of recognition hold
old traces of the morrow’s mirth
Synchronicity, future birth

[Verse]
Never seen, barely understood
The empty treasure undone good
Confusion of the mind, a stance
stripped it of all significance

[Verse]
You saw me, in split particles
the light shades darkening circles
Impact of the heart’s features drawn
Chest empty vessel the veins torn

[Chorus]
We depart, with the day’s work done
My soul’s blood I seek, you twin sun
I keep you sheltered within core
Though sealed fate you are never more

[Verse]
I hold it like a precious bird
shining bright, the future slow blurred
Like a mirror in glazed eyes shines
when the light seeps in, intertwines

[Verse]
Chosen path, possibilities
Fate’s remnants, events’ turn that tease
Twisting through the true meanings doled
known by pure of heart, tale foretold

[Chorus]
We depart, with the day’s work done
My soul’s blood I seek, you twin sun
I keep you sheltered within core
Though sealed fate you are never more

## 🎧 SUNO SONG

Listen to how this poem transforms into music across different styles:

### 🎬 Cinematic version
Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes
In split particles – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🙏 Gospel version
A gospel-inspired version focusing on expressive phrasing and spiritual depth.
In split particles – Gospel Song | My Original Lyrics, My Voice (Suno)
### 🌌 Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
In split particles – Trip-Hop Song | My Original Lyrics, My Voice (Suno)

## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Cinematic, Gospel and Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: Blended illusion
https://geethabalvannanathan.com/2026/06/22/blended-illusion-noir-blues-dark-folk-trip-hop-versions-song-created-with-suno-my-lyrics-my-voice/

Every Magic word – AI Song (Blues, Indie Folk, Dream Pop, Noir Trip-Hop Versions) | Suno AI (my lyrics, my voice)

Every Magic word – AI Song (Blues, Indie Folk, Dream Pop, Noir Trip-Hop Versions) | Suno AI (my lyrics, my voice)
20 May 2026
woman standing in winds where golden words of magic are blowing around
Image credit: magnific.com
Every Magic word – AI Song (Blues, Indie Folk, Dream Pop, Dreamy Trip-Hop Versions) | Suno AI (my lyrics, my voice)
20 May 2026

## 🧠 ABOUT THE PROCESS

I transformed this original poem by adapting it into lyrics that were then used for an AI-generated song using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the AI-generated musical version.

## 📜 ORIGINAL POEM

This poem reflects upon the gradual loss of wonder, dreams and emotional freedom as adulthood settles beneath the weight of routine and responsibility. Through nostalgic and melancholic imagery, it explores how reconnecting with the inner child and preserving the enchantment once found in stories, imagination and innocence may help restore meaning, resilience and hope in later life.

Our burdens
The sum of sorrows
We carry
Their dead gait
Knees caving under the weight
Of wasted morrows

Read the full original poem here:
https://geethabalvannanathan.com/2016/05/15/every-magic-word/

## ✍️ ADAPTED LYRICS

[Verse]
Our burdens, the sum of sorrows
they reek of the wasted morrows
We carry solemn their dead gait
knees caving under their great weight

[Verse]
Open heart, let the sorrow drip
From enlarged chest to the feet’s tip
Like the falling rain kissing Earth
see in their embrace the rebirth

[Verse]
Of inner children, we were once
the kings of playgrounds to ensconce
dark stringent marks of Time, chests bare
still unwoven threads, laid down hair

[Chorus]
Dreams dreamt, lost in mists, blown in winds
The paper scattered now rescinds
every Magic word read in books
Its golden ink now glossed in brooks

[Verse]
We danced with winds that shook all fires
within heart carving desires
the mind a wild bird, Soul carefree
the body gripped in dancing spree

[Verse]
Bleak routine settling in with hooks
anchored us within quiet nooks
Of larky times, now rooted feet
Day by day we face slow defeat

[Chorus]
Dreams dreamt, lost in mists, blown in winds
The paper scattered now rescinds
every Magic word read in books
Its golden ink now glossed in brooks

## 🎧 AI SONG

Listen to how this poem transforms into music across different styles:

### 🎸 Blues version
A midnight blues interpretation emphasising raw emotion and expressive character with a smoky vibe.
Every Magic word – AI Blues Song | My Original Lyrics, My Voice (Suno AI)
### 🌾 Indie Folk version
Dreamy Indie Folk with haunting female vocals, fingerpicked acoustic guitar, atmospheric reverbs, soft emotional build-up, reflective and nostalgic tone.
Every Magic word – AI Folk Song | My Original Lyrics, My Voice (Suno AI)
### 🌟 Dream Pop version
Atmospheric Dream Pop with haunting female vocals, reverb-soaked guitars, lush ambient textures and dreamy emotional layering
Every Magic word – AI Dream Pop Song | My Original Lyrics, My Voice (Suno AI)
### 🌌 Noir Trip-Hop version
A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth
Every Magic word – AI Noir Trip-Hop Song | My Original Lyrics, My Voice (Suno AI)

## 🎼 ABOUT THESE VERSIONS

This piece has been interpreted across multiple musical styles using Suno AI, exploring how the same lyrics evolve through Blues, Indie Folk, Dream Pop and Noir Trip-Hop influences.

## 🔗 OTHER LINKS – EXPLORE MORE

You might also like: The Swan song
https://geethabalvannanathan.com/2026/05/17/the-swan-song-ai-song-blues-cinematic-folk-indie-versions-suno-ai-my-lyrics-my-voice/

On the tribulations of being bipolar

On the tribulations of being bipolar
13 January 2026
Courtesy freepik.com


I was diagnosed bipolar during my first episode that occurred beyond my forties after a prolonged period of stress where I had to juggle many difficulties within a high stress environment. After my initial diagnosis, I was told two things that bore significance for me: 1 – People are usually diagnosed as bipolar during their childhood, adolescence or early adulthood as a bipolar episode would have happened by then and 2 – The condition is called generally bipolar without distinction while technically, some people are not bipolar but rather unipolar when the depression component lacks in their mood. In my case, the diagnosis was bipolar even though no depression cycle was ever observed by others nor experienced by me. Together with the fact that I had suffered no previous episode before, this led me to believe that perhaps I was wrongly diagnosed but a request for a new diagnosis was not carried out.

Growing up, I had learnt to cover up my autism (a condition that was later identified but initially overlooked) by assimilating external patterns to cover my social inadequacy such as my incapacity to pick up social cues that everyone seemed to be well aware of. At the same time, I had always felt acutely the changes in atmosphere and had a greater ability to sense when people were lying. I had succeeded in fully masking my autism but for some small events where onlookers witnessed OCD-like behaviour together with a heightened desire to have a succession of habits that comforted me and allowed me to function quasi normally within my family or the broader society. With the bipolar element though, it was difficult to just cover up its effects that went beyond mere social inadequacy. I suffered a repeated bipolar episode when I was subjected to another stressful environment and emerging out of it felt like a victory although it felt like I had to reinvent myself all over again under watchful though uncaring eyes.

At my initial bipolar episode, I had little to no support whether socially or professionally and later on, it became obvious that being ill meant you did not survive as nobody around cared so I gritted my teeth and with the help of meditation, relaxation techniques and my energy healing techniques that I had acquired, I carved out a life that would not collapse at the advent of another bipolar episode. I also made sure I continued my medication even when I felt absolutely fine and even through all my sessions of meditation and energy healings. I wanted to ensure I kept the bipolar episodes at bay because, ultimately, if I let go, it would be the end of any normal social or professional life.

After my second bipolar episode - also stress-induced - I realised that not only do most people not care about people with varying mental disabilities, but they also are somehow either afraid of them or consider them to be childlike and thus incapable of restraint. Therefore, their response when meeting someone bipolar, for example, is to either reject them, be wary and refuse to engage with them normally or try to monitor and micro-manage them, whether in a social or professional context. Despite the various sessions organised by institutions to increase awareness about such medical conditions, the tendency to avoid, belittle, smother or exclude continues both in social and professional environments. This makes it harder for people with non-visible disabilities like us bipolars to thrive within these environments as we are already carrying on a battle within ourselves between the need to perform within our social and professional environments and the effects the ostracism of others has upon us.

Nobody sees or knows of this daily battle because it is cloaked within us as we continue to hide from those who still do not know about our condition, hoping that this would lead to a better social and professional outcome. The most awful thing that can happen for someone like us who has such a condition and does not want others to know for fear of reprisal or ostracism, is when the information is leaked despite our best efforts. This happened to me as my condition was leaked to other colleagues, making my interaction with some of them stilted or just leading to ostracism and/or simple rejection. Some started observing me, trying to pick up on every little oddity that I may express so as to speak about this with others. Partnerships caved in, relationships became tense where they once were normal. Others tried to orient me towards what they thought I should do about my condition and some kept trying to monitor me believing that I should be reduced to the level of a child and could not manage my own condition despite the fact I was working with health professionals on a regular basis and was successfully managing my condition.

I kept this within me for a number of years, still keeping my condition under wraps as much as possible, considering the situation I was in. Lately, however, I decided that I should not need to cover up my condition. The fact that institutions and especially managers within those institutions may not be ready to harbour within them an individual with a condition they do not understand should not stop us from owning what we are. Most of us are resilient and have carved a good life for ourselves despite being bipolar or having another non-visible mental condition. There is also linked to the bipolar condition a great potential for tremendous creativity and productivity, especially for those of us who are unipolar as we don’t sink into depression after the phase where we are experiencing a high. I have also talked to other bipolar individuals and we seem to share one interesting fact which is that during our “high phase”, we have no limitations as everything seems possible so we can solve a lot of problems creatively and while others think out of the box to solve/create/innovate, we just think and see no box thereby applying our mind in infinite ways. This might account for my earlier ability to achieve good grades in school and University without the need for assiduity in my studies and could also account for my good results in chess competitions in the past, before I decided to stop competition in order to concentrate on my family life.

When I look at my own experience and that of others whom I have talked to, I believe society has still got a lot to do to catch up on how individuals with hidden disabilities, more specifically mental conditions, should be treated. This would need the schooling system to generate more awareness and empathy for such conditions and for professional institutions as well as faith based entities to promulgate more favourable conditions for people like us, whether bipolar, autistic, or suffering from another mental condition. Raising awareness is definitely a good step in the right direction but beyond the awareness of the condition, institutions need to be aware, themselves, of the negative biases their employees harbour against people with mental conditions and make sure that there are adequate measures to pick this up and put an end to it. It is not enough to explain how such individuals should be treated, including with fairness and openness/inclusion, there should be a measure of how a particular individual may be subject to unfairness and lack of inclusion. Managers should receive appropriate training if it is found that they have individuals with certain mental conditions within their team. In a world where people who are bipolar like us struggle to perform, where we feel that it is more a jungle than a safe space to grow in, we need the institutions we work for to recognise our contribution and keep us safe from those who increasingly attempt to cut us off merely because they do not know how to interact with us or are afraid of us. The future can only be inclusive because it is by our diversity that we make the greatest progress, not by our uniformity.

Peter Gabriel - My body is a cage [Thony Hacket Thorn (Konto Video)]

Isis help to Osiris and prayer to be empowered in heaven

Isis help to Osiris and prayer to be empowered in heaven
6 December 2025
Courtesy freepik.com


Hail to thee Isis, lady of the rainstorm, lover of fire, lady of the temple, slaughterer of the fiends at night, disposer of light, mistress of flames, hacker in pieces in blood, (she who) is within the cavern of her Lord, hiding her creations, carrying away hearts, devouring water, lying down watching to make lamentation for her brother Osiris.

Hail Thoth making to triumph Osiris over his enemies. Horus is, Osiris is and Isis is. Osiris his heart rejoiceth. Horus his heart dilateth with joy. The two regions are at peace through it. Osiris, he hath destroyed his enemies, he hath destroyed evil. He will come forth from fire every.

Hail to thee Osiris, hail to thee Isis, hail to thee Horus. May my heart be to me in the House of hearts. May be to me my heart, may it rest in me. May be to me my mouth (that) I may speak with it, my two legs to walk. Be opened to me the doors of Heaven. May make strong Anubis my legs to rise up for myself. I know my heart. I have gained power over my heart. I have gained power over my two hands and arms. I have gained power over my feet. Not shall be imprisoned my soul (with) my body (at) the gates of Amenta, at my entrance in peace and coming forth in peace.



Anet hra’k Aset nebt ãatet mer setau nebt het ã uheset sebãu em mãśeru sert nehepu urś śememet xebt her snef ãmt xen tepeh neb-s ãment qemamu-s Ɵetet hãt qeq mu-s st’er res-s her ãrit kabit her sen-s Ãusãr.

ã Tehuti semaãxeru Ãusãr er xefta-f. Heru pu Ãusãr pu Aset pu ãu Ãusãr ãb-f net-em ãu Heru ab-f ãu ãu ãterti hetep-tu her-s. Ãusãr ter-f xefta-f ter-f tut ãu-f per-f em xet nebt.

Anet hra’k Ãusãr, anet hra’k Aset, anet hra’k Heru ãb-a nã em pa ãbu ãu-nã ãb-ã hetep-f ãm-ã ãu-nã re-ã t’etu-ã am-f ret-ã er śemt un-nã aã en pet serut en Anpu masti-ã Ɵesu er-ã rex-ã em ãb-ã sexem-ã em hãti-ã sexem-ã em ããui-a sexem-ã em ret-ã ãn xenã-tu bã-ã er xat-ã her sebau nu Ãmentet em ãq-ã em hetep pert em hetep.

Reading of the prayer/incantation:
Isis Mother of Healing – Temple of Aron Ra

Mediumship uncovered

Mediumship uncovered
10 August 2025
Courtesy freepik.com


A couple of weeks ago, I went to the circle in the spiritualist centre of the town I live in. This was the first time I went to such a meeting and I was surprised when I got messages for one of the people in the group. I had experienced seeing ghosts as a child but I had never received disincarnate messages that were so precise and unrelated to something I could actually see. The lady for whom the messages were intended said that 95% of what she received through me was accurate and she expected that some of the messages were going to be useful in dealing with a certain relationship in the fall.

Like when I was a child and had finally realised that what I saw was a ghost and not a living person, this time too I was hesitant to re-establish a bond with the spirit world that transcended the mere sphere of dreaming. Indeed, I had had - since a young age - dreams of myself being a priestess in ancient Egypt and while I did not remit what it was as a child, I found out during my adolescence the meaning of the symbols I saw in my dreams. Some of the dreams in my adulthood and later years included myself speaking words that I later found out to be from ancient Egypt.

The experience I had lately was compounded by the words of a medium who spoke about my ability for healing and emphasized that I was to establish a greater bond with the spirit world. In order to re-assess the scope of what was happening and also to create some distance or space for me to be able to decide how to move forward, I decided to pause my visits to the circle. Indeed, this circle was meant for individuals who wanted to develop their inner gifts and while I had gone there to increase my ability to heal, I ended up with something that was quite different from what I expected.

The medium, whom I had been in contact with during the regular Thursday meetings of the centre, had mentioned that I was using in my healing information that I was getting from the spirit world and was blending this with the healing that I had been trained to do (Pranic healing and Reiki) as well as with the natural abilities I had. I knew of these natural abilities as they had helped heal my father earlier – before I even knew that I had the ability to heal. It therefore seemed that even though I was not consciously aware of it, I was already getting messages from the spirit world and using it in my healing, which meant that I could also use these messages to communicate important matters to the living around me.

I will be off work this week as I took time off to be with my sons who are visiting me from Geneva but I intend to attend the Wednesday circle meeting to see how things evolve. If I start getting more and more messages like the first time I attended the circle, then I guess I will leave it to develop into an actual mediumship ability, the spirit world willing. I will write more about this as things evolve one way or the other.

Ma’at - Spiritual Music of Ancient Egypt | Meditation, Prayer, Relaxation, Healing Ambient Sound