Ashes for daughters – Cinematic, Trip Hop Versions | Song created with Suno (my lyrics, my voice) 13 August 2026
## 🧠 ABOUT THE PROCESS
I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.
## 📜 ORIGINAL POEM
Ashes for daughters is a lament for mothers whose lives have been reduced to survival by war. Inspired primarily by the tragedy unfolding in Palestine yet echoing countless conflicts where civilians bear the heaviest burden, the song is not about armies or politics, but about human loss. Through the eyes of one woman carrying grief, memory and an unbroken maternal love, it gives voice to those who continue walking despite the ashes around them with the hope that one day the cycle of war will end.
She walks slow life bundled on back Agony her fiefdom, mind scattered throughout waters, thoughts a procession
[Verse] She walks slow, life bundled on back Agony her fiefdom, so black Mind scattered throughout the waters, thoughts a procession that falters
[Verse] They deal blow never cut her slack Trinity not random, to stack Houses flaming as their hearts lurch Children’s school, hospital and church
[Chorus] Two may die. May they ever live for their fathers’ tales to forgive She cries as her lung deep inhales ashes for daughters as she wails
[Verse] She faces it with beaten brow Heart crushed though face never to bow In her soul lights a burning fire Orphaned twin stokes fleeting desire
[Chorus] Two may die. May they ever live for their fathers’ tales to forgive She cries as her lung deep inhales ashes for daughters as she wails
## 🎧 SUNO SONG
Listen to how this poem transforms into music across different styles:
### 🎬 Cinematic version Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes Ashes for daughters – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🌌 Trip-Hop version A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth Ashes for daughters – Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS
This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Cinematic and Trip-Hop influences.
Melting gold – Noir Blues, Cinematic, Trip Hop Versions | Song created with Suno (my lyrics, my voice) 14 July 2026
Image credit: Federico Bebber and George Redhawk
## 🧠 ABOUT THE PROCESS
I transformed my original poem by adapting it into lyrics that were then used for a song generated using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the musical version.
## 📜 ORIGINAL POEM
Melting Gold is a meditation on transformation through fire, love and remembrance. The poem journeys beyond the illusion of mortality towards a consciousness that is continually renewed. It celebrates the resilience of the soul, reminding us that even our deepest wounds can become the crucible from which compassion, hope and enduring light emerge, leaving seeds of renewal for those who follow.
I composed A song of perhaps You and I Eternal A pair of hummingbirds free Flight in the night’s sky
[Verse] I composed a song of perhaps You and I, eternal, no traps A pair of hummingbirds free sigh shimmering flight in the night’s sky
[Verse] Decomposed flesh flung back at me bitter truth of this realm to flee The vanishing sweet corpses face Earth-bound fall, locked in death’s embrace
[Verse] Illusion of mortality sank my heart then I heard so free the voices singing the song sweet They sang beyond Time, on repeat
[Verse] Fading chant infused with the Love survived flesh burnt afresh through shrove Cinders of memories that flew back into known motion anew
[Chorus] Liquid frame, it rises from meld of the fires from pain withheld Melting gold into cracks of rains Eternal sunshine in my veins
[Verse] Emotion fanned by raging flames Rising phoenix sings to acclaims Rekindled bright red the soul’s spark If you hear not song, then do hark
[Verse] You and I rotating dust specks Settled in, deep within gold flecks where the bare core burgeoned again into soft petals grown in glen
[Verse] Purple bloom on tree of whispers Endless hum intoned by lispers Deep in nooks of the heart that stores Carefree melodies fill our cores
[Verse] Ethereal, we rise through the airs Whiff of scent, heart unbent that shares pollinized sparkles of sun scape forming of our souls the true shape
[Chorus] Liquid frame, it rises from meld of the fires from pain withheld Melting gold into cracks of rains Eternal sunshine in my veins
## 🎧 SUNO SONG
Listen to how this poem transforms into music across different styles:
### 🎸 Noir Blues version Noir Blues, smoky late-night atmosphere, slow tempo, brushed drums, sparse electric guitar, weary female vocals, melancholic blues Melting gold – Noir Blues Song | My Original Lyrics, My Voice (Suno)
### 🎬 Cinematic version Cinematic ambient with haunting female vocals, reverbed piano, plaintive cello, slow emotional build-up and immersive atmospheric soundscapes Melting gold – Cinematic Song | My Original Lyrics, My Voice (Suno)
### 🌌 Trip-Hop version A hypnotic Trip-Hop interpretation blending haunting textures, introspective rhythms and atmospheric depth Melting gold – Trip-Hop Song | My Original Lyrics, My Voice (Suno)
## 🎼 ABOUT THESE VERSIONS
This piece has been interpreted across multiple musical styles using Suno, exploring how the same lyrics evolve through Noir Blues, Cinematic and Trip-Hop influences.
The swan song – AI Song (Blues, Cinematic, Folk, Indie Versions) | Suno AI (my lyrics, my voice) 17 May 2026
Image credit: Freepik.com
## 🧠 ABOUT THE PROCESS
I transformed this original poem by adapting it into lyrics that were then used for an AI-generated song using Suno, featuring my voice. Below you’ll find part of the original poem, the revised lyrics, and the AI-generated musical version.
## 📜 ORIGINAL POEM
This poem reflects upon how corrupt and oppressive systems of power may distort beauty, silence compassion and destroy the vulnerable under the guise of order and authority. Through imagery of ruins, memory and spiritual exhaustion, it explores the decay left behind by such structures and the emotional cost of confronting them. The poem ultimately suggests that true resistance does not arise through blind fury, but through the preservation of inner truth, remembrance and spiritual integrity amidst collective collapse.
Blue ribbons Hang from the dark skies As the rains Fill the plains With the remains of seasons Spent in wasted stance
[Verse] Blue ribbons hang from the dark skies I ease out from them all the lies while the remains of seasons rains spent in wasted stance fill the plains
[Verse] As the rising sun shone brightly upon the yards now unsightly Plush meadows once breathed laughter’s lines a blossom of graves in confines
[Verse] They built caves within heathen grounds Their battlefields red, released hounds All fury hurled upon the weak their dark kings grovel as we speak
[Verse] As the black tides sweep high above Chime and chime again pealing love The bells ring for you, newly wed The cries to bring out the new dead
[Chorus] Crystalline drops that would take us gathering the pieces of us united to where we belong They sing loud and clear the Swan Song
[Verse] Daily sustenance put to rest Soul weakening in house arrest The moonbeams sit tight, hush its screams It wanes, withers but for dark dreams
[Verse] Lily white, the waking penance My shrill mind in slow resonance where I talk within daylight broad where I walk with the sleeping horde
[Verse] Iron rod piercing my ribcage They seek more rage through the outrage The body feels, the mind repeals the soul mere stillness, all reveals
[Verse] Walk along, I will recount lives my mouth a brush stroke that describes From the deep wells I draw splendours filling you with the lost wonders
[Verse] We relive many lost embers The frail heart beating remembers feelings more than just brief memoirs Lives lived not stories for boudoirs
[Chorus] Crystalline drops that would take us gathering the pieces of us united to where we belong They sing loud and clear the Swan Song
## 🎧 AI SONG
Listen to how this poem transforms into music across different styles:
### 🎸 Blues version A blues interpretation emphasising raw emotion and expressive character. The Swan song– AI Blues Song | My Original Lyrics, My Voice (Suno AI)
### 🎬 Cinematic version A cinematic interpretation emphasising atmosphere and emotional intensity. The Swan song – AI Cinematic Song | My Original Lyrics, My Voice (Suno AI)
### 🌾 Folk version A folk interpretation of the song, focusing on acoustic textures and a more intimate, stripped-down sound that highlights the lyrical and emotional core. The Swan song – AI Folk Song | My Original Lyrics, My Voice (Suno AI)
### 🌿 Indie version An indie interpretation with a softer, reflective tone, incorporating plaintive cello and violin sounds for a distinctive indie sound. The Swan song – AI Indie Song | My Original Lyrics, My Voice (Suno AI)
## 🎼 ABOUT THESE VERSIONS
This piece has been interpreted across multiple musical styles using Suno AI, exploring how the same lyrics evolve through Blues, Cinematic, Folk and Indie influences.
The old souls’ chronicles 5 : grief’s stronghold 2 November 2025
Courtesy freepik.com
When Aron reaches his house, he feels that strange foreboding though laced with excitement. He had not spoken about the foreboding with Tony as they had only worked on the initial feelings of grief together but he could recognise it from the scriptures of it that he had got on the black market. Tony did not know it but he and Hegat were not the only ones who carried the forbidden feelings that were not to use with the youngsters. There were other old souls that did not abide by the rules because they lived in between the old and the new worlds. They did not go completely against the system like he had attempted to do by aging and actually resorting to real food. They just lived in between, got sustenance from the transformation of energy and slowing their aging process but without keeping the chancellor’s prescribed liquid in their veins to remain young forever.
Aron opened the door and once again the preternatural form of his wife came to greet him at the door. He took the pulse tube and shot the grief into his veins. The sorrow that ensued was unsurmountable, and he caved in like a wick abandoning its flame, dragged under by the liquid released by the candle. All life seemed to have escaped his body and there was no healing to come from Tony’s hands like when he had first administered grief to him through his hands, mind and heart. His eyes searing with pain, Aron looked around the room wondering where the ethereal form of his wife had gone. All of a sudden, it seemed like she was darting in and out all over the room, jumping from one place to another. Each time he saw her, it was like his heart was yanked out of his body and the tears were like flames dousing his cheeks, his throat and his heart just below.
He winced and tried clearing his eyesight each time but the searing was back every time he saw her. He tried to rise from where he had fallen but to no avail. It was like he did not have legs anymore but was just a mass of grief, flames and a jellylike body. He wished he had not given in to his folly of experimenting such a strong sensation on his own and what more in the house where his wife had died, as she no longer wanted to continue living. It was strange that his wife, such a young one who was much younger than him, had given in to the same troubles that Tony had been going through. She was no old soul so why had this nostalgia and desire to die befallen her? Aron had thought that through the knowledge of grief he could understand what she had gone through but it was all too debilitating for him. He felt his heart burn with the grief until he could stand it no more. I am going to die here all alone, he thought before he fainted….
Soul Fillet 20 September 2025 (translation of a short story called “Filet de soul” written in French on 8th March 2011 – See the original here or copy and follow this link https://geethabalvannanathan.com/2011/03/15/filet-de-soul/)
Courtesy freepik.com
She struggled, but it seemed useless, as the net enclosed her on all sides, fitting her body like a glove. The antimatter of its braiding was of the same ilk as her own immaterial body, and so she was unable to go through it. She watched helpless the ectoplasms of the ghost ship slowly hoist her towards them. She remembered the advice of her grandparents, who had been her guardians since her parents' death, and told herself she should have listened to them and not ventured so far from her sweet native soulitude.
It was all the fault of that cursed spring, of that nutty unicorn illusion, and of her tightrope-walker nature, which never resisted the urge to swing in the air between two equally deep chasms. The black holes of the fiery soular system she had entered by mistake or stubbornness—she no longer remembered—and which had finally disembodied her after a burn a thousand times more intense than unicorn fever had struck her down.
Yet all the signs had been there: the panicked looks of those who had just learned the rite of passage from the customs officer, the biting cold escaping through the only window to the other world—placed so high that it was impossible to look through the glass, the smell of sulfur that accompanied each explosion of the beings passing through the door, of which only a pyrography remained, each aligned alongside the others made before it. In short, a spectacle that would have dampened the fantasies of even the most ardent pioneer, but she had carried on, drawn by the idea of this stellar discovery.
The snub-nosed customs officer who sat counting his money at the edge of the two worlds had kept making her fill out so much paperwork that she almost ended up with the wrong papers. "What are all these delaying tactics?" she had exclaimed, exasperated, to which he replied that this was the price—yes, one always had to come back to the price in this world—of passage to the other world. They had to think carefully, and these weren't so much delaying tactics as preparatory tactics for a decision that would be final.
As a good intermediary for the overlord of this world who transmitted his orders to him through the hollow horn of a unicorn of other times, he took it upon himself to tire out those determined to pass into the other world so that only those who could no longer be malleable puppets would finally take the plunge. In any case thought the lord, looking at his navel, which needed a lot of vassal care to keep it from detaching itself from his body, this kind of people would be of no use to him because they would not be obedient vassals. For it took blindly obedient beings to caress the motionless body of the lord, which was becoming more and more flaccid and incapable of containing this quivering bit of flesh in the middle. The massage had to be done in concentric circles starting from the extremity of the body and in tighter circles to get closer to this purplish navel and the task became not only more exhausting but also more repugnant. Indeed, through immobility the lord became an enormous fatty mass whose deadly effluvia were exacerbated by the arrival of spring and reaching the extremities to attempt to execute at least one circle became an increasingly impossible task during the lifetime of each vassal. Suffice to say that the overlord was very difficult for any being to grasp, and she told herself that any other fate would be better than being condemned to grasp this monster, especially since spring was fast approaching.
The manoeuvres continued for quite some time, and the bitter retorts from both sides almost put her in the bad books of the customs officer with the snub-nosed face and the dead eyes, but in the end she managed to finalize her efforts. All that remained, the customs officer had told her at the end, was to get rid of the rest of the sinful confessions in order to complete the rite of passage. Turning to him to ask what that meant, she saw a sadistic glint finally rekindle the dead fish gaze of the customs officer who told her with a grim smile that she was going to be burned with a blowtorch so that the sinful and the flesh would detach from her and she would return ethereal to the other world leaving her remains as an ornament on the wall of the "lament asians". She had a moment of panic but it was too late, it was the price to pay she told herself, resigned, and moved forward towards the door made of blowtorches.
She remembered an unbearable burning sensation accompanied by a deafening explosion, and the next moment she was floating weightlessly in a hushed space whose silence and thick darkness were broken only here and there by gentle lapping and rays of intense luminosity that strangely illuminated nothing but themselves, leaving the rest of the space in darkness. She barely had time to feel, or even see, other immaterial beings floating near her before a mass of ropes had been thrown over her and she was being pulled inexorably toward the ghost ship. Once hoisted aboard, she was roughly lifted, and what was her surprise to come face to face with a now-familiar face—a rhinopithecus, she thought, before losing consciousness.
When she came to, an ectoplasmic version of the overlord stood limp before her and beside her the ectoplasm of the customs officer was slowly and deliberately rubbing a huge blade against a black hole. As she stared at him, dumbfounded, he turned to the overlord and asked him.
The old souls chronicles 4 : pulsing grief 29 April 2024
Courtesy freepik.com
Tony wonders whether Aron is aware that he has now fully become a different being from the other youngsters and young adults. Aron sees in his searching eyes the unspoken interrogation.
- I always was different and even wondered if I was a freak because I had these stronger feelings that were considered as undesirable within my community.
- You are not a freak, Aron. You feel more than others although nothing as near to what we old timers felt, the feelings that all of the world had before strong negative emotions were frowned upon. We never imagined that things would go as far as to stop us even from grieving the death of our loved ones. Now we are just relegated to the role of donors of “funny feels”, “happy feels”, “quirky feels”. In brief anything that is more on the happiness scale and nothing that can touch the extreme sadness scale
- I know what you mean. I have been studying you and your wife for some time now before you went rogue and disappeared. It was a godsend when I learnt of your presence in that restaurant. What an opportunity to finally meet you and make the request for the deeper emotions.
- Why did you want to access this range of emotions?
- Ever since my wife died, I have been having this strange bubbling of emotions that felt like nothing I ever experienced before. Sometimes it’s like a rock was laid on my chest while I was sleeping. I could barely breathe and felt like a pit in my stomach but nothing near what I felt when you gave me the pulse.
- We normally don’t give that range of emotions to youngsters like you because they have a very strong effect on your psyche. With the seclusion of the deeper range of sad emotions, there aren’t many psychologists left so it is difficult to get regular appointments with one.
- I don’t need a psychologist. I can handle my emotions
- Very well. Here is the pulse tube which I have filled with the energetic imprint of the grief I pulsed through to you. Make sure nobody else puts their hands on it and call me if you are in too much pain. I will come as quickly as I can to grant you the solace.
Aron takes the tube containing the precious pulse and bids Tony farewell before leaving the library. As he is on his way back to his home, he thinks about his wife that he might see again in her preternatural form. He decides that he will let himself feel the full extent of the grief as experienced with the help of Tony. This time, he would be using the pulser and would not have Tony’s rapid intervention with soothing solace but he knows he needs to do this for his own sanity. No more half-lived emotions dragging him into a recurring downward spiral. It is now the time to experience it fully within his own house, while looking upon the ethereal form of his wife and put this behind him forever.
The Cleopatra Tales 10: Elevating the sah
24 February 2023
Courtesy pinterest.com
Rise up thou Geetha, this. Stand up thou mighty one being strong. Sit thou with the gods, do thou that which did Hathor in the great house in Annu.
Thou hast received thy sah, not shall be fettered thy foot in heaven, not shalt thou be turned back upon earth
Hail to thee, Geetha, on this thy day [when] thou art standing before Nut [as]
she cometh from the cast, [when] thou art endued with this thy sah among the souls.
[Her] duration of life is eternity, her limit of life is everlastingness in her sah.
I am a sah with her soul.
Reading of the Egyptian prayer / incantation
Elixir part 1 – The Truth of the Elixir29 May 2022
Courtesy Daily Telegraph
She looked behind her fleetingly trying to assess how far her assailant was. Not more than 90 seconds before he would be able to seize her. She stomped with her right foot the earth under her feet while thinking at the same time of being inside the earth. No sooner had she done that than her body sank into the ground dropping at a very high speed. She thought of the steps of soil and they materialised under her feet. She ran quickly using one step after the other and leapt onto the one leading her out, on the other side of the river where her assailant, general Stein, had been stalking her.
The Elixir was within a vial knotted closely into the hem of her shirt. She clutched at it frantically, needing to assess whether it had opened and spilt over. It was safely knotted, lid intact, into her clothing. Her eyes grew misty when she remembered how her mother had sacrificed the remaining years she had to live just so that she could be able to make the Elixir and work on making more so that more people who were dying could be saved.
The Elixir had a restorative nature allowing it not only to provide more years of life to those dying but also to heal the organs within the body of the sick persons it was administered to.
She had seen time and time again how the elderly were happy to grant the remaining years of their life to their ailing children or grandchildren. All the Elixirs she had made had been used. Only the one she had made from her mother’s remaining years was kept close to her heart. Nobody had ever been able to understand how she made the Elixirs and she had kept the secret close to her. When the word had started coming out, she had received offers from pharmaceutical companies but she knew well enough that they would only buy her technique in order to bury it as those companies thrived on the sickness and death of people and had no intention of actually making Elixirs to heal people.
She thought again about what she had created. It would seem like the holy Grail when you thought of it but it did have some side effects: it held some of the memories of the deceased and it seemed that those were in majority memories of trauma or other levels of pain. These memories kicked in when anyone given the Elixir was experiencing any level of anger or stress. Upon studying this phenomenon, she realised that these memories were stored in some pockets of the Elixir which had a slight discoloration of the pearls of blood around it. She needed to be able to isolate this from the rest of the Elixir without foregoing any of the years contained in it.
She looked at where general Stein was looking at her, seething with anger that she had again escaped him. He had never pursued her with any offers, unlike the pharmaceutical companies. He simply wanted to get from her the secret of creating the Elixir so that he could use it on the children of his elite clientele. Ever since he had left the army, his only scope in life had been to earn as much riches as he could and Amelia’s invention represented a fantastic opportunity to do so. Back in Melancholy where he visited his rich clients, the parents were dealing with a very difficult situation as all their children were either neurasthenic or suicidal and he knew from observing Amelia’s work that the Elixir would not only extend the life of those who took it but would also make those who took it wish to live a beautiful life
Al-Nil - Armand Amar
Bitter happenings
of bleak landscapes of the mind
frozen in the core
Crisp thoughts of morrows
numbing the flow of heartbeats
biting raw of flesh
Icy winds swept fast
through the ebb and flow of time
They spelt love’s decline
Cool winter mornings
Chill of a frosty sunshine
dawned upon our souls
A dip into hope
Drops of wonder cut through doubt
A dive into faith
Your hands are so cold
Warm them upon my bosom
Pray fall into heart
Reading of the poem:
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