This weekend I attended reiki Okuden level. Those who know me are aware that I do pranic healing after having taken successfully the 5 levels of pranic healing courses at the Grand Master Choa Kok Sui centre in Dubai. I have been doing pranic healing since 2017 after having initially started doing energy healing in 2013 and I am now headed towards becoming a Reiki Master which I hope to achieve before the end of the year.
During this level of reiki healing we were introduced to three Reiki symbols that we could use in order to better define the flow of Reiki. The symbols that would be drawn would also be associated to mantras that could be chanted under one’s breath or aloud and Kotodamas (a series of vowels derived from the mantras) to chant. At the Master level we are supposed to be introduced to the fourth and last symbol.
The first symbol we were introduced to was that of power that could be used for grounding, protection, cleansing, to remove physical blockages, for charging or cleansing crystals and for psychological blockages. The mantra associated with it is CHO KU REI (Tcho Koo Ray) and the Kotodama is O U E I (Ow Ooh Ay Eee). At home, I used this symbol to strengthen one of my knees that had been slightly flailing.
The second symbol which I really liked was the symbol of harmony, which could be used to recalibrate communication, to start healing someone with a difficult emotional state, for balancing, to help sleep, etc. The mantra associated with it is SEI HE KI (Say Hay Kee) and the Kotodama is E I E KI (Ay Eee Ay Kee). At home, in the evening, I drew the symbol in the space on all four walls in my living room and immediately felt a sense of harmony fill the space around me.
The third symbol which I also liked a lot was the connection symbol that was one of the most elaborate ones of the three that I have been shown. This symbol could be used to connect to pure consciousness and as denoted by its name, it could be used as a bridge between two things that would otherwise not have a common denominator. Say for example one wanted to make a conflict go away or at least lessen it, one could draw this symbol between both camps to the conflict and flow Reiki within that space. The mantra associated with it is HON SHA ZE SHO NEN (Hon Sha Zay Sho Nen) and the Kotodama is H(O) A ZE H(O) NE (Oh A Tzay Oh Nay)
I have already started doing healing using these three symbols and am very much looking forward to doing my Master course and healing from that premise in the future. I also have my sights set on other modalities of healing such as Jin Shin Jyutsu and healing through the higher self with the college of healing hoping that this would offer the people I heal a really large palette of healing methods and in some instances I could actually combine two or more of these methods.
5 Minute Calming Chakra Healing Meditation, Positive Energy Vibration, Aura Cleansing Meditation
Quand surgit la pâleur du futur à éteindre12 janvier 2022
Courtesy Rodrigo Luff
Nous n’irons plus aux bois tels des enfants légers
Les yeux remplis de rêves et de tendres désirs
Nous n’aurons plus aux doigts cette musique ailée
L’oreille sonnera la trêve de ces fantasques plaisirs
Relevons les éclats de nos cœurs emmêlés
Quand s’écoule lente la sève en un bel élixir
Témoin de nos ébats scellant grandes échappées
Le devoir veut qu’on crève en un dernier soupir
Compterons-nous les secrets des intrépides soldats
Raidis par la douleur de patrie à étreindre?
Des drapeaux à hisser dans un froid de verglas
Quand surgit la pâleur du futur à éteindre
Lecture du poème:
Corneille - Parce qu'on vient de loin
Summarised translation of the Alexandrin French poem into English
When the pallor of the future to be extinguished arises January 12, 2022
Courtesy Rodrigo Luff
We will no longer go to the woods like light children
Eyes filled with dreams and tender desires
We will no longer have this winged music at the tips of our fingers
The ear will sound the end of these fantastic pleasures
Let’s lift up the shards of our tangled hearts
When the sap slowly flows into a beautiful elixir
Witness of our frolics sealing great escapes
Duty wants us to die in a last sigh
Will we count the secrets of intrepid soldiers
Stiffened by the pain of fatherland to embrace
Flags to be hoisted in a freezing cold
When the pallor of the future to be extinguished arises
Reading of the poem:
With a bowing head
she welcomed the contrivance
her plan hid in mind
Fools thought her broken
She smiled at the morons’ schemes
her vengeance supreme
The arch in her brows
hiss of her inner being
only dunce ignores
Stellar detection
she examined first the clowns
The idiots stared
A flutter arose
In hearts of the compromised
The innocent woke
Prime numbers sashayed
The nerds ran helter-skelter
Her arms crushed their will
Reading of the poem:
It had been a while that she had started building the Merkaba. This was not an easy task as the weaving of the energies had to be done on a regular basis and based on a specific pattern. She wondered how it was that the Elders had succeeded in passing on this information to her during her sleep but every morning when she woke up she had a precise plan in her head for which points remained to be woven. On and on her nimble fingers wove into the air the patterns using the energy from the skies and from the trees outside her window.
Sometimes, it was also in the evenings that she resumed the weaving although it was best done at dawn and concluded with the rising sun. Day after day, she tirelessly wove the energies that emanated from her kinetic dance using both her hands in specific mudras as well as her intent focused on specific areas in space. The merkaba was to be a sphere-like construct that would be big enough to hold her whole body within it. It started from a point around the top of her head, near her crown chakra and expanded several metres above and away on each side of her body before finishing at her feet. Here too, the Merkaba had a distance of several metres before the small conic shape of its extremity ended with a cord-like construct within the soles of her feet.
Once the Merkaba was almost fully woven, she sealed the outer parts, leaving only a few slits in the front side to allow for entering or exiting the energetic vehicle without friction. The first time she had tried the vehicle on a test ride, it was an exhilirating experience, much akin to that of going on a roller coaster ride, except that one did it with the astral body including particles of the body and not the full body. She remembered the thrill of that joy ride for several weeks after the experience was over and for days after the ride her body had still felt out of balance as she struggled to keep her astral body in check.
A couple of days after she had finished weaving the Merkaba, her light body had been fully activated. This was achieved by input of a large part of her higher self that entered through her eyes into her body and activated the dormant genes within her to allow for release of the particles that would accompany the astral body within the Merkaba. The gene activation was necessary so as to allow for the mutation of the DNA that would allow her body to release some of her particles and then reintegrate them without destroying them later on
The Elders informed her that this process was necessary for her to be able to travel so far within the Merkaba and make it back to her body without mishaps as the particles would act as a genetic map reintegrating the shell that was destined to hold them, a process akin to genetic imprinting. They assured her that she would be safe and should be grateful for the chance bestowed upon her to accomplish this trip. She realised that it was indeed a beautiful gift from the Source to be granted the possibility of ascending while still alive.
Once the trip over, she maintained very few actual memories, however, of the Ascension trip and what she had found out behind the veil was now part of a hazy string of memories that resurfaced from time to time. She remembered the appeal of the remainder of her body when she had left it to travel within the Merkaba as it had remained on Earth scared, disoriented and incapable of taking care of itself properly. She remembered the beautiful blue beings that had surrounded her with tokens of love, compassion and empathy for humankind.
She wished she could repeat the experience again but the blueprint of the Merkaba was no longer given to her by the Ancient ones. It was as if this was a preliminary test that they had allowed and despite her various appeals to them they remained aloof and did not transfer this information to her unconscious mind anymore. She wondered whether she would have to seek the help of a hypnotist in order to retrieve the blueprint or at least some memories of that beautiful Ascension trip she had made but somehow something always stopped her from pursuing this for now.
Every full moon night, she would look up at the skies and sigh as the looming moon reminded her of what it was like to be in the skies among the planets. One day, she swore to herself, she would travel again within a new Merkaba she would build. She would perform her kinetic dances again appealing to the cosmic dancer to grant her once more the knowledge of the right steps so that she could build up the appropriate energy waves required for the weaving of the Merkaba. She knew that sometime in the near future the Elders would come back to her and reveal the pattern to her again as she had been feeling their presence of late. She smiled up at the moon that seemed to smile back at her.
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